![]() ![]() Understanding that you'll encounter different types of focus stacks is important, and I highly recommend starting out by trying to find a composition similar to the one described in the gradual focus shift to get your feet wet. This causes large separations of focus between branches and background and can be extremely challenging to edit, but there are options to make our lives easier. Imagine you're taking the same shot as the gradual focal plane example, but it's of a tree with many branches sticking out in the composition. Object separation: This is typically a mix of the above two scenarios.The biggest challenge is getting a cohesive edge between your elements that looks natural. This is the type of focus stack we'll be editing within this two-part series. This large distance causes a big shift in focus between your foreground and background that is difficult to blend together. Large focus shift: The composition includes foreground elements with a large distance between the background.This is typically the easiest type of focus stack to edit together. The focal plane from the bottom of the composition to the top moves gradually as the distance of subjects moves farther away from the lens. You're placed relatively close to your foreground subject, but you'd also like to have the background in focus. Imagine you're shooting with a wide angle lens in portrait orientation. Gradual focus shift: This is what you'll encounter the majority of the time in landscape photography.Here are a few I've personally dealt with: Focus stacking is relatively the same in execution, but you might find different challenges depending on the image you're trying to create. Within this article, we'll go over what I consider to be a more complicated edit than your standard focus stack, but I will include resources at the end for other types you might encounter. Focus stacking could be considered a more advanced technique within photography, but many times, it's not all that difficult to accomplish. ![]()
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